Coalport China Museum (2), Ironbridge, Shropshire, England
 
Part of the Interior of a Kiln, Coalport China Museum, Ironbridge, Shropshire, England, Great Britain
Coalport China Museum, Ironbridge.

Access to the Furnace inside one of the bottle kilns.

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The Firing Area of a Kiln, Coalport China Museum, Ironbridge, Shropshire, England, Great Britain
Coalport China Museum, Ironbridge.

The kiln was heated from below by a number of coal fires which were stoked from exterior firemouths. The flues from the firemouths pass under the floor to the well-hole and in doing so heated the floor and the kiln.

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Looking up inside a Kiln, Coalport China Museum, Ironbridge, Shropshire, England, Great Britain
Coalport China Museum, Ironbridge.

Looking up inside a kiln showing the texture caused by the bricks in the outer skin, known as the Hovel, and also the separate internal cone, the oven, of the kiln.

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The Saggar Maker's Workshop, Coalport China Museum, Ironbridge, Shropshire, England, Great Britain
Coalport China Museum, Ironbridge.

The Saggar Maker in his workshop. The Saggar Maker would have been regarded as a highly skilled craftsman and would, originally, have had two helpers - the Framemaker and the Bottom Knocker.

The Framemaker beat the clay into a sheet on a metal table using a large mallet. Using a frame he would cut it to size, sprinkle it with sawdust and wrap it round a wooden block to make the walls.

The Bottom Knocker, usually a boy in his early teens, did the same on a smaller scale, constructing the round or banjo-shaped bottom.

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